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Participation: 80%-99%
Unique Accidentals: 1
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Baroque
Chorale Prelude: Komm, Gott, Schöpfer, heiliger Geist BWV 667 by J S Bach
ChurchOrganist
2:25 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 7 6 95%
Bass 27 0 8 7 97%
Bass 13 0 1 6 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 7 6 95%
Bass 27 0 8 7 97%
Bass 13 0 1 6 93%
 
Henry Purcell - A New Scotch Tune, Z.655
Joâo Schnier
1:00 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clarinette
en
Si♭1		 Treble 12 0 1 6 100%
Clarinette
en
Si♭2		 Treble 7 0 1 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clarinette
en
Si♭1		 Treble 12 0 1 6 100%
Clarinette
en
Si♭2		 Treble 7 0 1 6 100%
Clarinette
en
Si♭3		 Treble 9 0 2 6 100%
Clarinette
Basse		 Treble 13 0 1 6 96%
 
HWV1A3N4 - Du stolzer Erdenkreis!
edward.maurath
2:22 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 29 1 3 89%
Bass 19 19 3 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 29 1 3 89%
Bass 19 19 3 4 100%
Bassoon Continuo Bass 13 0 1 4 100%
Violoncello Continuo Bass 13 0 1 4 92%
Violone Continuo Bass 13 0 1 4 92%
Oboe Treble 15 0 1 4 82%
Tutti Unisoni Treble 15 0 1 4 82%
Bass
as Consalvo		 Bass 11 0 2 5 60%
 
Ave Maria (Bach/Gounod) for violin and piano
Jaime Arturo Sánchez
2:17 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 1 4 2 100%
Bass 19 1 5 6 51%
Violín Treble 14 0 1 6 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 1 4 2 100%
Bass 19 1 5 6 51%
Violín Treble 14 0 1 6 90%
 
HWV58A3N2 - Leave me, loathsome light
edward.maurath
3:13 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
Organ Continuo Treble 21 10 3 5 96%
Bass 18 2 3 3 100%
Cello Continuo Bass 18 0 3 3 100%
Double
Bass Continuo		 Bass 17 0 3 3 100%
Viola 16 0 3 4 90%
Violin
1		 Treble 15 0 1 3 90%
Violin
2		 Treble 16 0 3 5 90%
Bass Bass 13 0 2 6 79%
 
King of the fairies
frnx
1:36 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 15 0 1 5 100%
Treble 10 0 0 3 96%
Violoncello Bass 13 2 1 4 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 15 0 1 5 100%
Treble 10 0 0 3 96%
Violoncello Bass 13 2 1 4 96%
 
Baldassarre Galuppi - Alla tromba della Fama
trumpeter and theatre organist
3:09 Est. Play
Time
79 Measures
1,360Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavicembalo Bass 17 0 1 5 100%
Treble 0 0 0 0 0%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavicembalo Bass 17 0 1 5 100%
Treble 0 0 0 0 0%
Contrabbasso Bass 17 0 1 5 100%
Violoncello
(BC)		 Bass 17 0 1 5 100%
Violino
1		 Treble 24 7 6 6 96%
Violino
2		 Treble 24 7 6 5 96%
Viola 14 6 1 4 86%
Soprano Treble 18 0 6 7 54%
Tromba
in
Do		 Treble 9 0 1 7 49%
 
Buxtehude - Toccata in F Major. {Professional production score.} Unfinished.
Jamie Holdham
2:09 Est. Play
Time
102 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 21 9 5 9 88%
Bass 13 4 2 9 87%
Bass 14 0 1 6 82%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 21 9 5 9 88%
Bass 13 4 2 9 87%
Bass 14 0 1 6 82%
 
'Praise my Soul, the King of Heaven' - Baroque Orchestration
tennickmusic
3:10 Est. Play
Time
158 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
D		 Treble 10 0 1 2 87%
Bassoon Bass 13 0 2 3 80%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
D		 Treble 10 0 1 2 87%
Bassoon Bass 13 0 2 3 80%
Oboe
I		 Treble 10 0 1 2 67%
Oboe
II		 Treble 7 0 0 3 66%
Continuo. Bass 22 0 4 3 59%
Flute
I		 Treble 10 0 1 2 51%
Flute
II		 Treble 7 0 0 3 50%
Soprano
amp;amp;
Alto		 Treble 11 21 1 2 49%
Tenor
amp;amp;
Bass		 Bass 14 28 2 3 49%
Violas 6 0 0 2 41%
Violino
I		 Treble 10 0 1 2 41%
Violino
II		 Treble 8 0 0 3 40%
Violoncellos Bass 13 0 2 3 39%
 
HWV8A1N9a - "Di goder il bel ch'adoro" (F Major for Dorinda)
edward.maurath
1:48 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 19 2 6 100%
Treble 22 21 4 6 87%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 19 2 6 100%
Treble 22 21 4 6 87%
Violin
1		 Treble 14 0 1 6 92%
Violin
2		 Treble 15 0 1 7 92%
Violoncello Bass 15 0 2 5 79%
Dorinda 11 0 2 6 77%
Contrabasses Bass 13 0 2 4 64%
Violoncellos Bass 13 0 2 4 64%
 
HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major
edward.maurath
2:40 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
Cello Bass 16 1 0 6 96%
Semele 14 0 3 10 79%
 
HWV7A2N20a - "Ah! crudel, il pianto mio deh!"
edward.maurath
2:50 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
Oboe Treble 17 0 3 9 92%
Harpsichord Treble 20 29 3 7 85%
Bass 17 7 3 6 88%
Contrabasses Bass 16 0 3 6 88%
Violas 12 0 3 7 88%
Violins
1		 Treble 19 0 4 7 88%
Violins
2		 Treble 15 0 2 6 88%
Violins
3		 Treble 13 0 1 6 88%
Violoncello Continuo Bass 17 0 3 6 88%
Violoncellos Bass 16 0 3 6 88%
Violoncello Bass 18 0 3 6 85%
Almirena 13 0 3 8 54%
 
xerxe's crude furie
StJohn Woollacott
2:11 Est. Play
Time
79 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 21 0 5 5 96%
Violin Treble 24 0 5 6 90%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 21 0 5 5 96%
Violin Treble 24 0 5 6 90%
Treble 17 0 2 5 90%
Viola 15 0 1 5 90%
Xerxe Treble 14 0 3 7 78%
 
Pastorale in F
Piotr Tomasz Harasimiuk
0:55 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 13 0 0 4 100%
Treble 15 0 0 4 74%
Bass 14 0 1 3 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 13 0 0 4 100%
Treble 15 0 0 4 74%
Bass 14 0 1 3 97%
 
Aria sexta BALBASTRA from Harp of Orpheus
Piotr Tomasz Harasimiuk
6:06 Est. Play
Time
111 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 3 1 11 100%
Bass 17 3 1 8 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 3 1 11 100%
Bass 17 3 1 8 96%